|
The piece is a first-class copy made in the T'ang dynasty showing the true character of Wang Hsi-chih, the Immortal Calligrapher. It is also included in the Shih-ch'i-t'ieh, which can be called the sacred book of the cursive script. The work, which is a letter in the concise format unique to Wang Hsi-chih, indicates a divine state in the beautiful form of the cursive script, the singular execution of angular strokes, and its full refinement and elegance. |
|
Wang Hsi-chih first studied calligraphy under Madame Wei and later also turned his interests widely to the works of master calligraphers of previous periods to assimilate their virtues. He thereby created an fluent style based on tradition yet which was a transformation of the manner of calligraphy theretofore. The eloquent and graceful calligraphic style of these three passages are revered as the optimal and eternal ideal of the semi-cursive script. |
|
The piece is a first-class copy made in the T'ang dynasty showing the true character of Wang Hsi-chih, the Immortal Calligrapher. It is also included in the Shih-ch'i-t'ieh, which can be called the sacred book of the cursive script. The work, which is a letter in the concise format unique to Wang Hsi-chih, indicates a divine state in the beautiful form of the cursive script, the singular execution of angular strokes, and its full refinement and elegance. |
|
Wang Hsi-chih first studied calligraphy under Madame Wei and later also turned his interests widely to the works of master calligraphers of previous periods to assimilate their virtues. He thereby created an fluent style based on tradition yet which was a transformation of the manner of calligraphy theretofore. The eloquent and graceful calligraphic style of these three passages are revered as the optimal and eternal ideal of the semi-cursive script. |
<출처;tong.nate wjdtndl50 알리바바>